2017
- Weights & Measures: Portraits of Justice
1996
- The Manhole Cover Project: A Gun Legacy
2024
2020
- Catherine Fox, “Arts Atlanta (ARTSATL): Review Evenly Yoked,” Arts ATL, September 20, 2020
- , “Gallery Review AJC: Evenly Yoked,” Atlanta News Now, September 17, 2020
- Pooya Nayyar, “Legacies And Challenges Of War Zone Reporting (Panel),” IR Insider, May 7, 2020
- Natasha Becker, “Pushing Through A Public Memorial,” Brooklyn Rails, May 7, 2020
- , “Catalouge South Africa 2017 - PDF,” , January 1, 2020
- Sophie Olympia Riese, “PDF: Exhibition catalogue; Inescapable Truths,” Frankie C. Santoni design, January 1, 2020
2019
2018
2017
- Arcade Project, “Doing Justice to the Guilty: An Interview with Bradley McCallum,” Arcade Project , November 30, 2017
- Jessica Dawson, “Still Lifes With Street Corner and Homeless Kids,” Washington Post , August 26, 2017
- Edward Tsumele, “Justice under the Spotlight,” Contemporary And , May 24, 2017
2016
2015
2014
- MuseeMagazine, “Post Conflict at Kinz + Tillou Fine Art,” MuseeMagazine , December 14, 2014
- Cate McQuaid, “Diverse voices celebrated in MassArt's Adderley show,” The Boston Globe, October 28, 2014
- Damien Williamson, “The Evolution of Black America as seen through the eye of the artist: Quintenz Gallery hosts group show of African-American art,” Aspen Daily News, July 1, 2014
2012
- Colin Dabkowski, “Fine Burchfield Penney show features Spain Rodriguez, Jacqueline Tarry,,” The Buffalo News, December 15, 2012
2010
- Cinque Hicks, “McCallum and Tarry invoke a more subtle conversation about race,” Creative Loafing, October 5, 2010
- , “Bearing Witness: Entry Catalogue,” Bearing Witness: Entry Catalogue, June 8, 2010
- Blake Gopnik, “'BEARING WITNESS' Bradley McCallum-Jacqueline Tarry exhibit at Baltimore's Contemporary Museum,” Washington Post , May 16, 2010
2009
- Edan Corkill, “So what then was 1968 all about? American couple Bradley McCallum and Jacqueline Tarry probe historical events with art,” The Japan Times , May 1, 2009
- Hrag Vartanian, “Art in the Shadow of Katrina: Exploring Prospect New Orleans,” Brooklyn Rail , February 2, 2009
- Jonathan T.D. Neal, “Prospect .1 New Orleans,” Art Review, Jan/Feb , February 2, 2009
- Lilly Wei, “Deliverance: the Biennial,” Art In America, February 2, 2009
2008
- Joyce Youmans, “McCallum and Tarry: Evidence of Things Not Seen,” Burnaway.org, December 29, 2008
- Caroline Figwer, “En Ligne,” Cimaise December-February , December 12, 2008
- Jeremy Abernathy, “McCallum & Tarry: Within Our Gates,” Artvoices , November 5, 2008
- Roberta Smith, “Kaleidoscopic Biennial for a Scarred City,” The New York Times, November 4, 2008
- Christina S.N. Lewis, “The Big Easy’s Art Gumbo,” The Wall Street Journal, October 31, 2008
- Catherine Fox, “Tower Setting Powerful for ‘60’s Video Montage,” The Atlanta-Journal Constitution, October 19, 2008
- Drew Jubera, “Old Tower a Pointer to Past,” The Atlanta Journal-Constitution, September 28, 2008
- Marriuccia Casadio, “Colorful,” Italia Vogue , August 8, 2008
- Catherine Fox, “Visions of Race Vex,” Atlanta Journal-Constitution, April 6, 2008
- Susan Richmond, “Bradley McCallum +Jacqueline Tarry,” Art Papers July/August , February 2, 2008
2007
- Micheal Amy, “Bradley McCallum and Jacqueline Tarry at Caren Golden,” Art in America, December 12, 2007
- Benjamin Genocchio, “Hotel Rooms Set the Scene, and 45 Artists Star,” The New York Times, August 5, 2007
- Linda Yablonsky, “Hotel Rooms Become Overnight Stars,” The New York Times, July 8, 2007
- , “Metro Article,” Metro, March 30, 2007
2006
- Nord Wennerstrom, “Bradley McCallum and Jacqueline Tarry: Conner Contemporary Art,” Artforum, October 1, 2006
- Joseph R. Wolin, “Legacies: Contemporary Artists Reflect on Slavery,” Time Out New York, July 6, 2006
- R. C. Baker, “Southern Gothic,” The Village Voice, June 30, 2006
- Holland Cotter, “Posing, Speaking, Revealing: A Multimedia Work in Collaboration With Homeless Youth in Seattle by Holland Cotter,” The New York Times, June 20, 2006
- , “An Essay By David Spalding,” David Spalding, January 10, 2006
- , “Vogue Italia,” Vogue Italia, January 1, 2006
2005
- Benjamin Genocchio, “Trapped in Nether-Nether Land,,” The New York Times, August 7, 2005
- Dan Bischoff, “Street Scenes,” The Stare-Ledger, July 8, 2005
2004
- , “Endurance And Pain,” New York Times, August 1, 2004
- Tina Potterf, “Strife, Addiction, Hope, "Endurance,",” The Seattle Times, February 7, 2004
2003
- Erin Barnett, “New Museum Curator's Picks,” newmuseum.org, December 30, 2003
- Louis Jacobson, “Civic Endurance,” Washington City Paper, November 3, 2003
- Michael O'Sullivan, “McCallum, Tarry Take a Stand,” Washington Post, October 24, 2003
- Blake Gopnik, “Here and Now,” Washington Post , October 19, 2003
- Glenn Dixon, “Children of No Standing,” Washington Post Express, October 16, 2003
- Franklin Sirmans, “The Spirit of Endurance,” Civic Endurance, exh. cat., Conner Contemporary Art, August 1, 2003
- , “Endurance And Pain,” Washington Post, June 1, 2003
- Keisha Lewis, “Silent Witnessing: Questioning Sacred Spaces,” NKA: Journal of Contemporary African Art Issue 18 , March 3, 2003
- , “Arts,” Washington Post: Arts, January 1, 2003
- , “Art In America,” Art In America, January 1, 2003
- , “Style,” Washington Post: Style, January 1, 2003
2002
- Ana Finel Honigman, “Public Space and Private Investigation: A Conversation with Bradley McCallum and Jacqueline Tarry,” Sculpture Spring/Summer , September 2, 2002
- Ana Finel Hogman, “Public Space and Private Investigation: A Conversation with Bradley McCallum and Jacqueline Tarry,” Sculpture Magazine, September 2, 2002
- Franklin Sirmans, “Bradley McCallum and Jacqueline Tarry, "Silence",” Time Out New York, May 2, 2002
- Courtney J. Martin, “Civil Servants,” One World Vol.9 , March 3, 2002
- , “Time Out,” Time Out New York, January 1, 2002
2001
- Stacey Stow, “Artists of Church Installation Welcome the Controversy,” New York Times, December 3, 2001
- Judy Birke, “Pain and Provocation in "Black and Blue",” New Haven Register, November 12, 2001
- Amanda Henry, “Sounds Out of Stone,” Wisconsin State Journal, October 14, 2001
- Mary Feingold, “Path of Voices winds through Madison High School,” Madison Magazine, October 1, 2001
- Randall Beach, “Sins of the Past,” New Haven Register, September 9, 2001
- Christian Schaernack, “Guiliani Meint as Ernst,” Art Das Kunstmagazin No.6, August 8, 2001
- , “Kulturpolitik,” Art Das Kunst Magazin, June 1, 2001
- Jose Martinez, “Art Labeled Anti-cop,” Daily News [New York, NY], April 18, 2001
- David Ebony, “Feds Spurn Police Brutality Art,” Art in America, February 2, 2001
- Jenni Sorkin, “Bradley McCallum and Jacqueline Tarry,” Frieze Contemporary Art and Culture, Issue 65, February 2, 2001
2000
- Roberta Smith, “Police Brutality Revisited, But Not on Federal Ground,” New York Times, October 3, 2000
- Roberta Smith, “Stretching Definitions of Outdoor Sculpture,” New York Times, July 22, 2000
- Joshua Tyree, “After the Violence, Art,” Isthmus [Madison, WI], June 16, 2000
- Patricia Phillips, “Bradley McCallum, Cathedral Church of St John the Divine,” Sculpture, June 1, 2000
- Kevin Lynch, “Melted Guns, Ghostly Silk Yield Wrenching Art,” Capital Times [Madison, WI] , May 24, 2000
- John Aehl, “Out of Violence, Art,” Wisconsin State Journal [Madison, WI] , April 30, 2000
- Dan Cameron, “The One Who Sees: In the Public Realm,” In the Public Realm: Installations by Bradley McCallum, April 6, 2000
- Janet Koenig, “Evidence of Blue,” Afterimage, March 3, 2000
1999
- David Ebony, “NYCLU Hires Artist-In-Residence,” Art in America, April 1, 1999
- R. Gardner, “NYCLU Arts Initiative to Address Police Brutality,” New York Observer, February 22, 1999
- Paul Brickman, “Envisioning a World Without Brutality,” Wisconsin State Journal [Madison, WI] , January 19, 1999
- Chris Murphy, “Guns Into Art,” Capital Times [Madison, WI], January 18, 1999
- , “Art In America,” Art In America, January 1, 1999
1998
- Hank Hoffmann, “Inspired Fear,” New Haven Advocate, September 17, 1998
- Judy Birke, “Fears exposed, examined in "inspired" exhibit,” New Haven Register, September 13, 1998
- Lucy Lippard, “The Consequences of Memory,” In the Permanence of Memory: Maine Veterans and Civilians Remember WWII, exh. cat., Maine College of Art, Institute of Contemporary Art, Portland, ME , August 1, 1998
- Kent Bloomer, “The Making of Memorials,” In the Permanence of Memory: Maine Veterans and Civilians Remember WWII, exh. cat., Maine College of Art, Institute of Contemporary Art, Portland, ME , April 4, 1998
- Mark H.C. Bessire, “Museum as Site,” In the Permanence of Memory: Maine Veterans and Civilians Remember WWII, exh. cat., Maine College of Art, Institute of Contemporary Art, Portland, ME , February 2, 1998
© Bradley McCallum 2024